Liu Qiong’s collection of essays, Gesang Huatsu posture, was published to recall life in northwest China

2022-07-21 0 By

This article is transferred from: A new prose work, Gesang Huazi Posture Posture, by liu Qiong, a writer from Ynet, was published by Yangtze River Literature and Art Publishing House. The distinctive title of the book aroused curiosity, what does the meaning of “posture posture posture” mean?Recently, author Liu Qiong accepted the media group interview and shared the creation story behind gesang Hua zi posture.”Zi Zi zi shi” comes from “zi zi”, which means beautiful. It comes from lanzhou dialect and often describes beautiful little girls and houses.Liu Qiong borrowed the characteristics of repeating words in northwest dialect, and changed “posture” into “posture posture”, similar to “beautiful” into “beautiful and bright”.When the word “posture” into “posture pose potential”, in addition to the surface of the original meaning, the author a confidence, also love emotional color.Gesang flower, is a beautiful flower, meaning is beautiful.It grows in the high and cold zone, the environment is bad, but it never chooses the place and lives, has the indomitable vitality.The title of Gesang Huazi Posture Posture contains the author’s memory and record of his early life in northwest China, as well as some thoughts and reflections on the human geography of northwest China.Gesang hua’s swaying posture is full of confidence and vitality, while dialect is the memory of a place and culture, which enables the author to open up his perception and thinking of multi-culture.Gesang Huazi Posture posture is divided into three parts: gesang Huazi posture posture, Narration, Existence and history, literature and humanities, which are respectively the story of scenery, the bosom of human beings, and literary criticism. There is an objective connection between the three parts.The first part is inclined to the prose of remembering people and events, the second part is inclined to an essay, and the third part is inclined to the rational understanding, summary and induction from the essay.After gathering the thoughts and feelings of the past into the book, the author Liu Qiong frankly said: “The writing about family memory is the most interesting or the most smooth topic I have written.”In this book, about the family memory, the most prominent are “Aunt” and “Grandfather’s Youth” two articles, the author through delicate brushstrokes, tells the people and things in the family, created a tough, brave, tender grandfather image.Cleverly, she did not write only about her grandfather in isolation, but put him in a historical context. She also wrote about the people and events related to her grandfather, which were deeply marked by the era.In the family memory, whether it is grandfather or aunt, or other memories, Liu qiong said that she has thought about continuing to write the story of her grandfather, but she will also consider the specific form.”Fiction writing is a kind of fascination,” she says. “Nonfiction writing is a kind of fascination, and I can try both, each with its own strength.”Narrative structure and the ability to captivate narrative is the power of writing to bring out in one way something deeper in one’s heart and spirit.The power of nonfiction lies in its real relationship to people, and it moves people with a more unexpected power of personal relationships.Beijing Youth Daily reporter Zhang Jia editor gong Lifang